Thursday, December 27, 2018

SEPT - Yellowthroat

September review for Book Riot's Read Harder 2018: Yellowthroat by Penny Hayes, 1988. [western category]


In order to find a book for this category, I pretty much just googled "lesbian western." And I found Yellowthroat by Penny Hayes, who apparently is the lady who came up with the lesbian western in the first place! Good to know that I started from the beginning. I've always been sort of a purist that way.

Yellowthroat was published by Naiad Press, one of the publishing companies dedicated to lesbian lit (succeeded by Bella Books), and I think I may have gotten a very early edition of the book, because the pages were falling out of the old glued binding by the time I was done. But I love this copy. I love the cover design, I love the simplicity of it. It is what it is, and nothing more. A sentiment Margarita (the bandit) and Julia (the kidnapped) both emulate in their own ways by the end.

The gist of Yellowthroat is a wlw romance, which I am obviously here for. I loved the scandalous description on the back cover for what happens once Margarita's band of bandits is required to take a female hostage back to their camp because one of them is gravely injured: "Once more Margarita's life undergoes drastic changes. Because amid a growing emotional attachment to Julia Blake, she has discovered the unthinkable: a sexual attraction to another woman." GASP. This is exactly what I wanted. Another item of note in the pro column of this review, is that the lady romance is not the climax of the book. So many of the lesbian novels I read climax quite literally with a single sex scene between the two women in the last act of the book. But Yellowthroat subverts that by introducing the attraction early on, and allowing the falling action of the book to be the women coming back together for their happily ever after (once Margarita has stopped being an idiot).

That being said, the ending fixed itself. Throughout the latter half of the book, there was a lot of internal monologue of Margarita's where she denied herself her desire to live out the rest of her life with Julia. She claims she doesn't want to be tied down, but in the next breath talks of how she will most likely marry a man again eventually. The two women start a damn business together and move to a gold mining town and everything is going pretty great when Margarita throws a grenade into everything, saying "sorry I cannot be with you because it doesn't fit what I think my life should look like so bye." I am grateful that the scenes after where Margarita lives by herself in the valley again and berates herself for leaving go by quickly and do not take up nearly as many pages as their time together. I am also incredibly grateful for her finally coming to her senses and returning to Julia, even though she tells herself she's just stopping by as she passes through the town. (No one just stops by in the Old West. It takes too long to get there. It is very clear you wanted to see Julia and kiss her again so just admit it! -- my brain as I read the last few pages.)

But we do get a happily ever after! There is no kill your darlings, return to heteronormativity, or self-denial in this tale! And boy was I happy to get there. I do believe I will be checking out the rest of Penny Hayes's ouvre in the coming months. I do enjoy a woman who knows how to ride a horse...

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