NOV - Infinite Jest

November review for Book Riot's Read Harder 2018: Infinite Jest by David Foster Wallace, 2005. [assigned book you never finished]

My friends and I started reading Infinite Jest a few years ago, but our little book club petered out. It sat on my shelf for a long time, until this category! I do love the language, the way DFW plays with words, but it was difficult to get through, especially in the way I've been reading, snatches on my commute or drowsy in bed. That being said, I am glad I finished it.

How does one really summarize Infinite Jest? It is a postmodern encyclopedic novel, a behemoth of a text that I used as a headrest on more than one occasion. It has been described as "meta modernist" and "hysterical realist." It's set in a halfway house and a tennis academy, features junkies on both sides, told in a stream-of-consciousness similar to that popularized by Virginia Woolf, but very very clearly written and created by a man. There is an Infinite Jest wiki that was wildly helpful throughout my reading, because god knows the footnotes were just as cryptic as the book itself.

So much of this book is figuring out DFW's language/shorthand etc. He uses footnotes for wildly differing reasons, from defining the technical composition of drugs to parenthetical interviews to asides to fucking defining POV but there's nothing that is like "when I say demapped it means killed or suicide" like most normal footnotes. The truth (Truth) in this book is constructed, rather than reported (page 1048, footnote 269). The footnotes can be used as construction, in various ways: through asides (264), definitions (308), parentheticals (325), and research (304), among others.

A friend's review of IJ, immortalized

I am glad to have read this book, I am stubborn enough to have finished it, but I am equally glad that it is over. David Foster Wallace is a very talented and complicated man, to be sure, and a genius with wordplay, and he is truly worth studying.

NOV - Nimona

November review for Book Riot's Read Harder 2018: Nimona by Noelle Stevenson, 2015. [comic drawn and written by the same person]

Nimona is so many things I've always wanted in a graphic novel. Scrappy girl protagonists, magic, upending of the dichotomy of good and evil, magical bureaucracy, and shapeshifting! Plus Noelle Stevenson, the author/artist is like, the coolest (and now she has made She-Ra on Netflix, which is equally rad).

Nimona comes to Sir Ballister Blackheart as a new sidekick and pretty much throws a wrench in all of his plans. Sir Ballister is pretty much the top dog in a magical world that blends magic and sci-fi tech, and he never really gets much done until Nimona shows up. He has to try to teach is protege restraint (she always wants to go around killing people and setting things on fire, which is a bit too far for the cerebral villain Sir Ballister. Nimona is a fiery little girl with a butch haircut and a big mouth who also happens to be a shapeshifter! How incredibly cool would it be to be Nimona?

Nimona and Ballister go on missions, quibble about the level of villainy that is acceptable, and slowly become close. The Good Guy Brigade (I mean, the Institute) employs Ballister's archnemesis, the hero Goldenloin, who has some serious history with our villain. As the story progresses, we learn more and more about the less-good things about the Institute, Goldenloin gets more and more disillusioned with his job sitch, and Ballister and Nimona burrow their way into each others' hearts, and of course the inevitable happens, where they hurt each other and leave, but Sir Ballister works to find her again, and set things right. Nimona deals with such heavy shit in such a completely understandable and accessible manner, even though it is sci-fi, and it is going to be a classic for a long time.

Nimona in a nutshell

OCT - Handling The Undead

October review for Book Riot's Read Harder 2018: Handling The Undead by John Ajvide Lindqvist, 2009. [genre fiction in translation category]

Handling The Undead by John Ajvide Lindqvist is a spooky book. But spooky in the way that it's pretty much our normal, everyday world, except for this one supernatural turn. I recognize that a lot of horror (and also thriller) can be explained this way, but my point is that Lindqvist doesn't come at the novel from the perspective of writing a scary story. He introduces human emotion and watches what happens when the world is turned upside down. What does grief do to a person, especially in the face of the impossible?

When the city is faced with a heat wave and weird occurrences start bringing people's loved ones back to life...but are they the same people? David's wife is the first one to come back, and he always knew she was too good for him, so how is he supposed to carry on and raise their kid without her? Or how can a grandfather go on without his favorite grandson? Or an old woman whose husband died recently, and his recurrence makes her question everything about her faith? Slowly, the country figures out what to do with the risen dead, calling in the army to sequester the increasingly more violent problem, and people pack in to see their loved ones when everything goes terribly wrong. Again, Lindqvist manages to tap into the most human part of horror, and Handling The Undead will leave you with the slightest of tingles at the base of your scalp long after you've turned the last page.

OCT - Heat Wave

October review for Book Riot's Read Harder 2018: Heat Wave by Richard Castle, 2016. [book with a cover you hate category]

I had to think real hard about this, because I often do the opposite: choose to read a book purely because I am intrigued by the cover. I don't know that I have ever actively hated a book cover: I am generally OK with movie tie-in editions, although I don't profess to *love* them, as long as I can still get my own attractive copy. So I had to dig deep and think about what I would really roll my eyes at when I saw a book. I settled, in the end, on romance novel covers (inexplicably glistening pecs and mid-swoon damsels) and pulp crime novels.

Heat Wave by Richard Castle is a little bit of both, arguably. It is a sort of tie-in with Castle the TV show (starring Nathan Fillion and Stana Katic), and I read it just as I was starting my partner on the show. Needless to say, the similarities between the Heat Wave characters and their inspirations are many and sometimes I had to double check which case I was in. Having that backstory (from the show) certainly enriched the experience, and I felt a little closer to the story than I maybe would have if I had just picked it up with no knowledge. All in all, I enjoyed this quick little read, even if the cover drove me a little crazy.